Monthly Archives: October 2014

Podcasts, Collaboration, Reflection.

In addition to being a space for making statements, a podcast is a good place for music and sound, multimedia text and video.

Two years ago. I was recording text and audio, music and sound and sending them to Pery Burge, who combined, synchronized, and added them to her multicolor 3-dimensional video imagery of liquids in motion. She was working in the Thermofluids Lab of the University of Exeter, UK. The creative exchange between us was such that in a few months, we had a cool selection of videos that were being introduced in film festivals in the UK and here in the states.

It was the fall of 2012. I had sent Pery five new tracks and she was working on adding visuals to them. We completed another project that involved adding text to a few of the videos. By year’s end, I was waiting to hear from her on the new pieces. Instead, in February, I heard from her partner that she had taken ill and in a matter of months, had died.

Since then, when talking of Pery, I repeat the phrase, “She brought the music out of me”. I was so grateful for that. Each soundtrack and video was very different from ones that came before. Losing Pery meant losing that creative collaboration. Sometimes it made me feel sad but most of the time I felt good about the work we had done. I posted, to iTunes, my audio tracks that she was working on at the time of her death. They were to be a part of the new project. After that, I stopped writing and recording music and sound. I also stopped updating ARTologyPod.

Recently though, I have been writing poems and recording sound and music again. And so there’s a reason to do podcasts. I like the format and the freedom and I’m curious about what new things will happen there as a result of its presence in that space. As a stepping off point for multimedia collaboration, it works.

Most of the videos we did are here:

Here is one of those multimedia collaborations between Pery and me that started out as a minimal podcast.


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#Tullio – ARTologyPOD

‪#‎Tullio‬” – Tullio – 2014 – podcast – text and audio by Tullio DeSantis

I’m revivifying my ARTologyPOD podcasts after a hiatus.
Starting off with an audio sketch toward a self-portrait, in process.
You can load it into iTunes, subscribe to the podcasts, and so on…

ARTologyPOD Podcasts


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I Draw What I See

“I Draw What I See” – Tullio – 2014
(click image for larger view)


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Infomental Highway

“Infomental Highway” – Tullio – 2014
(click image for larger view)


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Dangerous World

How can we rescue ourselves and each other from the dangerous
world we have created?

Our advanced scientific knowledge has produced technologies of tremendous power. We move great objects at stupendous velocities. Our so-called “intelligent machines” perform trillions of calculations in fractions of a second. Everywhere around us our mastery of material processes has refashioned the world of our experience. We have changed the planet and ourselves in ways unimagined by previous generations.

But all this scientific and technological progress has also produced processes that threaten to bring us great harm – harm to ourselves and to our world. Our knowledge turns out to be limited. By focusing our minds on exclusively materialist conceptions of existence, we managed to produce a century of physical and psychological horror on a scale unprecedented in human history.

As we look upon the post-modern landscape, we must ask ourselves, what is it about the way we have conceived of the world and our place in it that has proven so destructive to both our environment and our collective psyche?

Our search for order within the apparent chaos of life has created systems of rigid cultural orthodoxy while maintaining chaos – in the form of unending war, political and economic strife. Even our entertainment media, which we have ostensibly created as havens from the incessant roughness of the real world, are replete with violence and images of brutal inhumanity.

Prodded by atavistic fears we are impelled to create fortresses of safety and security, yet we fail to notice until it is too late – we have enclosed the most dangerous thing within the fortress walls.

We are the most dangerous thing. We have the power to multiply the natural terrors of the world a thousand times over. When we desensitize our crucial neural connections of empathy and feelings of compassion for others, we lose sensitivity and compassion for ourselves as well.

We are learning from our historic failures that we must reformulate our fundamental assumptions about the world and our place within it. The end of the old sciences of separation, reductionism, inflexible logic and absolute certainty leads us ineluctably toward a new science of connectedness, relativity, complexity and possibility.

As we learn to listen more attentively to the beating of our hearts and feel more deeply the breath in our lungs, we come closer to our common humanity. As we begin to ask the right questions, we observe the answers are present within us.

Our minds move inevitably toward the conclusion that instead of what can be accomplished by competition, power and domination, the ultimate purpose and meaning of life can be cultivated by compassion, communication, collaboration and cooperation.


“Dangerous World” by Tullio DeSantis


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Comes the Night



“Comes the Night” – Tullio – 2014
(click image for larger view)


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Collaboration with Dee Shapiro

I have been working with Dee Shapiro and the good people from the Heckscher Museum of Art in Huntington, NY. We will be doing a November presentation related to our collaborative project. I’ll present via Skype – making the connection technologically. As the time approaches, look for additional status updates from us regarding our collaboration.


“Tullio’s Offering” – Dee Shapiro – 2014



“Electromagnetic Impulse” – Tullio – 2014


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I am writing more. When writing happens after a period of not writing, I think about how that works. The coming and going of words in the midst of a predominantly visual stream. And rather than go on about it, I can refer you to a dialog initiated a few years ago by Philip Hartigan. We talked about, among other things, switching between visual and verbal modes of expression.



image – “Compassion” – digitally altered painting – 2011





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Getting rough out here.

Getting rough out here.
The cicadas of late summer are silent.
Their crisp skins, strewn around
mixed with acorns
and lifeless leaves.

My path is crossed by doomed survivors
old bees getting a final buzz off of their chests
limping crickets fooled by mid-day sun
crazy drunken flies in kamikaze loops.

The praying mantis I spy
poised on a fire escape downtown
has no religion.
And the green katydid
flying toward me
with impossible wings
is unnerving

These squirrels are way ahead of me.
Summer was just a dream
and they knew it.

– text by Tullio DeSantis


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In a lost attempt to control reality
the cricket crawls under a fallen leaf.
A frog is swallowing it as I pass.
Neurons set connections in my brain.
I make a mental note about not crawling under leaves.

Birds learn flight by flying.
Flying away in autumn and coming back in spring
is how it’s done.
That’s no metaphor.
That’s a fact.

– text by Tullio DeSantis

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