Homage to the divine feminine. There is no divine masculine.

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Home of the Brave – Tullio – 2016


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I stop believing in the real world


“Hi Art. Can you hang on awhile; I have some calls to make?”

“Sure Keith”

A young Latino man I’ve never seen before offers me a Coke. I accept and relax into the soft leather couch.

The studio is geared for mass production – at least mass-production on Keith’s hand-made scale. Everything is within arm’s reach – markers, brushes, paint, paper, vinyl, rags, and buckets of water. There are more than a dozen iconic vases on the shelf. Some are covered with subtle geometric characters, tightly locked into repetitive patterns. Others are festooned with bright strokes of calligraphy. The ambiguous shapes form symbols that look like combinations of inscrutable letters, numbers, and figures.

Beside a group of maquettes for a sculpture series ready to be fabricated by the Lippincott Foundry, a pile of shiny prints forms a foot-high stack on the floor. The walls are alive with a row of brilliant red, yellow, blue, and green paintings.

I consider how far he has come in a few short years. His Broome Street studio was dark, seedy, cluttered. This new place on Broadway is spectacular in every way – from the plush furniture to the stores of newly-stocked art supplies.

After a half hour or so, he tells two boys in his immediate vicinity he doesn’t want to be disturbed and joins me on the couch.

“I’m way too busy, man.”

This is how he starts most conversations these days. It’s become clear the demands on him are great.

“Well ultimately you’re in charge of that, you know.”

“Yeah. It’s just that all these projects right now are important. I know they’re getting in the way of our meetings and I’m sorry about that, but…”

“It’s OK, Keith. The connections are…up there – in the air somewhere – it’s a mental…or metaphysical…thing. It goes on. Have you noticed that?”

“Actually, I’ve been thinking about what you meant when you said you stopped believing in the real world…I can’t get that out of my head. I talked to Timothy Leary about it. He said he remembered you from Gettysburg…”

“Cool. I saw him after that in San Francisco, too. But that’s where we met, yeah. I was corresponding with Richard Alpert. He was working with Leary at Harvard. Anyway, I eventually got Tim to visit Gettysburg College. We had this loose group of beatniks and hippies. Everyone gathered around him in front. We sat there in lotus positions on the floor. The other students acted like a flying saucer had landed.”

“Maybe one did,” he says.

“As a matter of fact….”

At this point I just break up in laughter. Keith does too. I remember what I like about this relationship. It’s almost twenty years since the Summer of Love and the changes in consciousness that marked the end of one world and the beginning of a new one – at least for some of us.

Since then, though, a lot of my friends turned out straight-laced. And yet, here I am, sitting on a couch with a guy ten years younger than I am and we’re laughing and talking like we’re on a psychedelic trip, even though all we’ve had is a couple of Cokes.

“So anyway, I think you’re right about the real world,“ he says.

“Well, whatever it is there’s no reason to believe in it. It’s the last religion. Even atheists believe in the real world.”

“Yeah. People make up their reality as they go through it. Nobody seems to notice.”

“Until things get so strange…they have no choice – like when something we can’t comprehend won’t go away, or…when we’re dreaming…or dying.”

“I know. When I died it was, like…unreal at first…and then it seemed so natural…”

He is no longer here. I have not averted my gaze. He has simply…disappeared…

A young Jamaican kid who’s been blowing smoke rings into the ceiling fan looks over and laughs.

“You look like you see’in a ghost, mahn.”

A glimpse of gold in his smile and the glint in his eye are my final memories.

An eternity passes.

Within me – a voice…

“You’ll get used to death, Art. It took me some time, too. I’m with you here…don’t worry. Actually, you’re getting better at realizing it. You just tuned out for a few seconds this time.”

A young Latino man I feel like I have seen before – perhaps it was in a dream – offers me a Coke. I accept and relax into the soft leather couch.

(to be continued…)



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Getting rough out here

Getting rough out here.
The cicadas of late summer are silent.
Their crisp skins, strewn around
mixed with acorns
and lifeless leaves.

My path is crossed by doomed survivors
old bees getting a final buzz off of their chests
limping crickets fooled by mid-day sun
crazy drunken flies in kamikaze loops.

The praying mantis I spy
poised on a fire escape downtown
has no religion.
And the green katydid
flying toward me
with impossible wings
is unnerving.

These squirrels are way ahead of me.
Summer was just a dream
and they knew it.

– text by Tullio DeSantis


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Sensitive to Light

Wavelength-sensitive paintings



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Multidimensionalism – Tullio – 2016



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Psychedelic Tech Noetic Electron Cloud



Psychedelic Tech Noetic Electron Cloud – 2016 – by Tullio DeSantis
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Psychedelic Tech Noetic Electron Cloud

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I arise

Insubstantial as an apparition, I arise from a deep sleep. Gazing downward, I glimpse my body. It is not breathing. I am aware of my incorporeal existence but unaware of what awaits me. I decide to allow this dream to unfold without intervention and to simply observe events as they occur.

With curiosity and anticipation, I am borne upward from a coal black chamber. Though I’m in a roomful of animals whose attention is focused upon me, I feel calm and have no fear. They are kept at bay by the blaze of an unseen fire that seems to emanate from my skin.

I float above the beasts, transported through brilliant architectural structures suffused with beams of light. Moving throughout the maze of lambent passageways and tunnels, there is time to reflect upon my situation. Slowly it becomes clear – from utter emptiness and entombment to this liberating sense of moving upward and outward from what must have been a burial chamber – this is my death. The thought that I have died is curiously devoid of emotion. It is simply a way of describing a particular state of being.

Quickly now, the brilliance of the surrounding light increases and I am bathed in the warmth and luminance of the sun. I float freely in a transparent space, content in the knowledge that I have arrived at an end and also that I am at the beginning of a series of infinite journeys.

The notion of being lucid and aware in my dream and making a conscious decision not to control its direction is exhilarating. It allows me to proceed through a dream world simply observing what happens next. I have a heightened sense of anticipation for what lies ahead.

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No one left to upload
We uploaded our friends
When we uploaded ourselves
Then we were hacked
Or…we hacked ourselves
That’s what it felt like
When we could feel things

Now there’s just this
On every level
At quantum scale
You scanning my output
And me in yours
At this moment
If you still are
But then how would I know?
You see what I mean?
This has happened to us

Photon sunrise
A landscape of molecular sand
Within it
Once-drifting silicates of Earth
Transformed into endless replicas
Replicas of what?
Us and everything else
This is why
It can never be known
Even now
Now that I know it

I only know it now
Because I am thinking about it
And just like that
I’m not here


“Cyberwar” text by Tullio DeSantis, 2016

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Strawberry Void


Strawberry Void – Tullio – 2016


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